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Still dark, I lay in bed, door open to the cool early dawn air. Musical tones, almost conversational, and a little eerie, drift in from not far away. The dingoes are back.


pied butcher bird

Pied Butcher Bird practices her beautiful song for quite a long while. I stretch and bend my body toward functionality, which is my morning practice. The piercing song sinks deep into my psyche. I wonder what the unfortunately named bird was singing about? A nice insect it had just consumed? A good place to perch? Come here…this garden has no cats or dogs and they keep a nice bowl of water too.

Or maybe, “beware, the dingoes are near.”

I set off on my morning walk…listening to a favourite podcast. The episode was from Krista Tippett (On Being) interviewing beloved Irish poet, Michael Longley. More and more, I find myself being drawn to poets and their concise artistry.

The interview started with Michael Longley quoting his own favourite poet:


morning light

“There’s a line by John Clare that I adore. I love John Clare. I revere him. “Poets love nature, and themselves are love.” And I believe that with all my heart. And part of writing is adoration. For me, celebrating the wildflowers or the birds is like a kind of worship.”

Those words pulled me in and for the remainder of the walk I was absorbed in a sort of reverie of someone else’s experiences, uniquely expressed, yet similar to my own. That is what art hopes to achieve, something previously unidentified, but immediately recognisable.

The Wedge Tail Kites (large birds of prey) circled above me, occasionally landing near enough to see how large they were. Some are big enough that my neighbour carries a golf club to chase them away, lest their carnivorous tendencies see her young puppy as breakfast!


ordinary minutia

In my ears, unfolded ‘The Vitality of Ordinary Things’.* Even thinking about it now reminds me of my own strong connection with tiny and ordinary pieces of life. It has only been in the last decade or so that I have recognised my own fascination with this side of life. I think it has always been there. I just hadn’t realised it was a theme—perhaps not had the mental space to see it.

Once you see a thing, it cannot be unseen.

Home again. My daily habit is to water the rosemary plants, growing in pots along the patio. I lifted the metal watering bowl we keep in the outside sink. A sizeable, and  nearly expired, lizard had curled up underneath and was still–eyes closed, but not yet dead. Poor thing, what is there to do? I picked it up gently and placed it in the shade of the vines, surrounding the rosemary pots, hoping it wasn’t too late for it to revive. Its response was not encouraging. As you know, I’m sympathetic to the lizards around here and this was one I didn’t often see–about three times the length of a gecko and with lovely patterned skin. After laying his limp body in the shade, I dribbled a little water over him. Eyes still shut, he looked dehydrated, hovering near death. I suspect he had crawled into the sink for water and then couldn’t get out again. It happens sometimes, and with our hot weather, anything that small can dehydrate quickly.

I felt sad, and more than a little worried for him, having lost Bernie so recently.

Wanting to know…and yet fearing how the lizard fared, I waited a few hours to check on him. I carefully picked through the vines to peek and see if by some miracle he had revived. ‘My stars and garters!’, as my Aunt used to say! There he was blinking back at me. He looked almost normal and not in a huge rush to scurry away. And me with no camera.

But I have a pen.

And paper.

How much more of an ordinary thing can one do, but to interact with nature? Then again, how much more of an extra-ordinary thing can one do but to save a life?

Anything, however small, may make a poem; nothing, however great, is certain to. –Edward Thomas


likeness of rescued lizard


*for the uninitiated, Michael Longley has the most gentle and calm Irish voice and explains so well the creative life of a poet as well as some of the complexities of life in Northern Ireland. He is an agnostic, so if this bothers you, try to put it to one side. You will see that he is deeply reverent and impishly delightful. The link I have given is so that you can listen to the interview on the computer or read the transcript, or see the title and find it in your podcast app. I have to say, though, it is his lovely, lilting voice that enhances his thoughts and humour, so if you can listen. It is worthwhile.